The 1990s was an era of freedom, boldness and adventure with bright colours and style – people dared to experiment. Taiwan - The dramatic combination of lighting, audiovisual, choreography and staging in fashion shows requires highly creative and specific design.įor the debut of his Salon des Visionaires - Luxxury Godbage, a 1990s fashion themed fall-winter collection and Sherry Bomb Opening Party held at Ximen Literature and Arts Centre on, Justin Chou, designer and founder of Taiwan fashion label JUST IN XX selected Calibre LEDFusion A130-15 all-in-one Direct View screen management solutions. Three operated Sony HXC 100 HD cameras were positioned, two either side of the FOH platform - for cross shooting - and one hand. This was driven by Brompton SS40 processors and XD boxes for distribution, running via a fibre system with loop redundancy. The two IMAG screens each measured 4.4m wide by 6m tall and were complemented by five columns of screen onstage which were varying widths - tapering down as they went offstage, all with a 4.8m drop.Īll the screen was from CPL’s stock of Roe CB5, and 115 panels in total were on the project. With this decision made at the outset, all the bespoke content could be tailored to fit. The big change up on the video front from 2019 was rigging the side stage IMAG screens in portrait format, a move suggested early in the design process by CPL to frame artist close-ups and full-length shots beautifully and elegantly. The last event was in 2019, and each year the production values and scale of Camper Calling are increased alongside the great attention to detail that ensures it retains its friendly boutique style. The festival, organised by Jazz Events, was back with a lively musical megamix and additional fun and adventure.ĬPL working via Urban Audio Productions supplied a video equipment package comprising screens, cameras, and control.
UK - The CPL crew led by Lee Gruszeckyj were back working on a festival site again, providing video design and production for Camper Calling 2021 which took place over four days at Ragley Hall, Warwickshire during the UK’s August Bank Holiday weekend. There was networking of course, but also a genuine desire to see new products and technology trends.” Understandably stands were smaller than previous years but it still felt like the PLASA Show. Nick Boggon, marketing manager for Sound Technology, adds: “We probably weren’t alone going into the show not knowing what to expect, but those concerns didn’t last long. Yes, the show floor was smaller this year, but the atmosphere was bigger than ever.” This show certainly exceeded all expectations we had. Lee House, marketing manager for Ambersphere, comments: “When the doors opened on Sunday it was great to see so many people coming through them. Theatre and touring were most prominent with one third of those attending working in production or venues.Īnticipation was high as the doors opened, with a steady stream of visitors keen to check out the next generation of products and catch up with colleagues. UK - The PLASA Show returned to Olympia London from 5-7 September, receiving high acclaim and marking a return to normality following the 18-month closure of the live events sector.Īs the first entertainment technology tradeshow in two years, the PLASA Show 2021 co-located with the ABTT Theatre Show and succeeded in reuniting the industry for three high-spirited and productive days in Olympia’s Grand Hall.Įven though the number of attendees was reduced this year, they remained top quality and similar to previous years: 2/10 were company owners or directors and half were specifiers or final decision-makers.
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